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Friday 27 September 2013

'Aquatopia' at the Nottingham Contemporary

Over the weekend i went to see the  exhibition  'Aquatopia' at the Nottingham Contemporary Gallery in Nottingham. There was a really wide range (as ever at his gallery) of works.
My favourite pieces were a series of atmospheric works by contemporary artist Dee Ferris which could be seen as a modern day reflection, or continuation, of Turner’s style.
 
They were displayed in a room alongside a video installatio by Mikhail Karikis ...Sea Women (2012). This is a very consuming sound and video installation. It artfully documents the work of a small population of sixty – seventy year old women who make a living by diving to the depths of the ocean surrounding a small South Korean island. Like some of the oceans creatures the haenyeo community is on the brink of disappearing. This piece is a clever exploration of multiple uncharted factors, the unknown haenyeo culture, the women’s lives and inconceivable diving skills, and of course the ocean.
The sound from the installation alongside Dee Ferris atmospheric paintings was amazing - really adding to the overall experinece. Interesting from a female perspective of the roles these women and their lives.

 


 

 
 
'The imaginary of the ocean deep'
 
Ninety percent of the earth’s oceans remain unexplored. Science knows outer space better than the ocean deep. Scores of new species, weirder than any fiction, are found each time a submersible descends to the ocean’s deepest trenches.
In the absence of knowledge the deep is a site where imagination has full rein. The ocean has always bred monsters, and like outer space has been a setting for science fiction since Jules Verne. But unlike outer space, the oceans are part of our own planet – and by extension a part of us too.

Throughout recorded history the deep has been the site of shared myths, subconscious fears and unnamed desires. Aquatopia, then, is less about the ocean as it actually is – it is about how it lives in our heads.

This major exhibition brings together over 150 contemporary and historic artworks that explore how the deep has been imagined through time and across cultures. Sea monsters, sirens, sperm whales, giant squids, octopi, submarines, drowned sailors and shipwrecks are all portrayed here by many of art history’s “greats” JMW Turner, Odilon Redon, Hokusai, Barbara Hepworth and Oskar Kokoshka among them. Steve Claydon, Wangechi Mutu, Juergen Teller, Alex Bag, Christian Holstad and Mikhail Karikis are some of the many celebrated contemporary artists amongst whose oceanic – inspired artworks are shown here too.

The exhibition is a collaboration with Tate St Ives in Cornwall, where it will be shown from 12 October to 26 January 2014.


http://www.nottinghamcontemporary.org/art/aquatopia





Millennium Gallery, Sheffield - Barking up the Right Tree steel sculpture




Saw this great sculpture in the Millennium Gallery Sheffield couple of weekends ago made out of cutlery (as it would being the home of cutlery in Sheffield)...just see what you can do with them old forks, spoons and knives!!
 
Johnny White's Barking up the Right Tree steel sculpture, made of Sheffield cutlery. Solid at the base, it spreads out into three branch-like necks with a head on each one. Press a button and the tree barks and talks. Press another and the heads and upper necks move. Young kids are immediately drawn by the magic response to pressed buttons, older ones to the sculpture's fascinating, shiny, scale-like texture.






Wednesday 11 September 2013

Inspired by ....the Saatchi Gallery, London.... 'Paper'

 
Saatchi Gallery
 
'Paper'
 

Had a day trip to London on Saturday for some artistic & cultural inspiration. Visited the Saatchi Gallery on the Kings Road, a beautiful gallery in a great area and its free to get in! The exhibition on at the min is 'Paper' - 10 gallery spaces filled with really good mix of work created with...paper!
 
 'In a digital world where books are replaced by kindles, email is the death of traditional letter writing and the internet overtakes printed newspapers, it would seem plausible that the art world would follow suit. Not quite.
A new Saatchi exhibition is a surprising regression to an artistic climate dominated by one traditional material. It demands a reinterpretation of the modest medium of paper. In an exhibition called Paper the Saatchi Gallery reinvigorates this forgotten material through collage, sculpture, painting, and installation.'
 
There was some really interesting work and (and some not so interesting work), but definitely worth a visit &  overall was really inspiring... some thought provoking work...even my little six year old was inspired!...did some sketching (him not me - shameful) and he was very discerning in his selection process...the teacher in me approved...the mum in me thought he was so cute!'
 

 
Jessica Jackson Hutchins - 'Couch for a long time'.
 
 
T'his international group show features 44 artists who all work, though in very different ways, with paper – the humble but once ubiquitous medium that’s becoming increasingly sidelined in an era of Kindles, emails, computer-based graphic design and digital art prints.
It certainly may, as has been suggested by the curators, form part of a wider backwards trend towards the expression of traditional artistic skills after years in which shock tactics and conceptual art reigned supreme. But the way paper is used here is massively varied, ranging from collage and sculpture to illustration and installation.
José Lerma and Héctor Madera, for example, practically reach the ceiling of the room with their colossal paper bust of US boxer Emanuel Augustus, his face abstracted pretty much to a point beyond recognition'.

 

Jose Lerma and Hector Madera - 'Bust of Emanuel Augustus'

 
 

Odires Mlaszho - 'Caesar 17'
 

 


 
Yuken Teruya's discarded shopping bags – themselves heavily imbued with meaning and a constant reminder of a modern consumerism which borders on hysteria – become miniature stage sets, in which he casts trees as the players. He painstakingly carves templates of trees from the sides of each bag, bending the results inwards to recreate a lone example of the material from which this paper tree is derived. The tree is viewable from the opening of the packaging on its side. Apart from the work's humourous likeness to a peep show, Teruya's approach starkly recalls an important role often embraced by the artist: that of an individual dedicated to extracting meaning from the detritus of contemporary society.





 
Tom Thayer - 'Nature Scene'

 
 



 


 
The diverse range of works in the exhibition all have one thing in common: paper. As the cultural sector seems to be dictated by a desire to feed a modern appetite with what is considered commercially viable, paper has become in recent years a marginalised choice for curators everywhere. Blockbuster exhibitions such as David Hockney: A Bigger Picture (2012) have been very popular with the public and dominate the scene with ‘new technology’ works such as iPad/ iPhone drawings and video installations. However compared to the hand-made works in Paper, the process of works likes these in David Hockney: A Bigger Picture call into question the authorship of the art. As opposed to those produced on paper, drawings produced on an iPad have the potential to be copied and reproduced endlessly.
Marcelo Jalcome’s Pianos-pipas n17 (2013) stands as the exhibition’s popular signature piece. Photographs don’t do it justice. In a dream-like way this piece dramatically floats alone in a spacious white room and appears free standing. Coloured tissue paper is transformed into what the gallery describes as “a flock of disturbed parrots” and is shaped with fibre glass, bamboo frames and cotton threads. The simple medium of paper is carefully orchestrated and sculpted with striking colours. It is in pieces like Pianos-pipas n17 that Saatchi expresses the new potential of paper.

 

Marcelo Jalcome’s Pianos-pipas n17 (2013)


 

 
 



 
Han Feng Floating City
2008
Tracing paper (laser print) and fish tackle thread

 



 

 

 
Daniel Kelly - ' i see it all now...some of it'
 
 
 
Dawn Clements - Untitled
 
 
 
 
 
Paper is, arguably, the first material with which artists develop a working relationship, providing a malleable conduit for the physical realisation of often unfathomably divergent follies of imagination. The disconnect between the object and the complex processes applied to it is amplified by the near-comic simplicity of its fabrication: wood, cloth or grass fibre, pulped with water, pressed flat. A recipe replete with close to 2000 years of history, yet one that's hardly aged a day. Quite apart from the variety of work on display in this show (much of it strong and engaging, all of it very different), the realisation gradually dawns that all contained therein is the result of sophisticated and rather beautiful manipulations of an uncomplicated and solitary source material.
 
 


 

 

 

 
 
 
 
 
 
 
 
 
 

Tuesday 10 September 2013

Wirksworth Arts Trail 2013

Wirksworth Festival  Wirksworth Festival
 
 SEPTEMBER 7th  2013
Had a brill time at the Wirksworth Arts Festival trail weekend. Saw lots of wierd and wonderful art work - contemporary craft, fine art, installation, performance and music. Discovered the 'Northern Light' Cinema (see further down blog), an independent cinema showing a broad range of films. During the trail films were showing that you could drop into (taking your 6 year old son into an Isabella Rosellini film called 'Green Porno' - even if the poster did have Isabbella Rossellini dressed as a  cute green spider was not a good idea at - the clue is in the title of the film really)!
 
Saw a great 3 piece band playing on one of the side alleys where one guy was playing a saw (bottom left of photo)- sounded amazing.
 
 
The Blacksmiths Depositree installation piece in the old blacksmiths was really interesting, a collection of found objects created into a story telling tree:-
 



 
 
 

 
 
Over the last couple of years Wirksworth Festival has clearly established itself as a key event in the East Midlands cultural calendar. During 2012, over the famous trails weekend over 170 artists exhibited in every conceivable space in the town; houses, historic buildings, churches, shop windows, gardens, pubs and public spaces - a high quality contemporary visual arts programme, that has helped the Festival grow in profile and now attracts applications from all over the world
 
some images of my favourite work:
 
 
Phoebe Eason
I like Big Hats
 
I like to make people laugh, feel strong and remember. I first cut lino when I was 12 and became gently obsessed. I now cut and hand press lino, wood and vinyl. It makes me very happy to be so involved at each step which I hope shows in the work. I can’t wait to see the final reveal. I’m not trained as a relief printmaker but I’ve done it a lot and made my own way. I love my family, animals, music, fairytales, nature and colour and feel compelled and content to let them inspire me.
Website:http://www.phoebeeason.com/


Serena Smith

'Equinox', detail.
The images I create are often developed through the methodologies of printmaking. Recent work, based on the local landscape, is produced through the combined use of digital photography and hand drawn stone lithography. The images that emerge from this convergence, shaped by the systematic limitations of technology and the interference of chance, knowingly play with the potential for lyrical ambiguity inherent within the structures of pictorial representation.

Website:http://www.serenasmith.org



Katie Stainer

Origami Sunburst Brooch 'Use Your Map'
 
Katie is a Nottingham based designer specialising in unique origami jewellery and sculpture created using recycled books. As a child Katie was fascinated by stories and papers, and during her time at University this interest developed into a passion. Katie lets her materials dictate colour, texture and feel and strives to allow the qualities of the paper to speak for itself. Through experimentation with paper techniques and effects Katie explores the contemporary market for intricate paper crafted items, working to reinvent the role of paper in the modern age.

Website:http://www.katiestainer.co.uk

Email: katiestainer@gmail.com
 
Suet Yi

The Wondering Cat
 
"Ceramics and I... are bonded by destiny. It is holding my love for a simple and quiet life." Suet Yi explores beauty and simplicity from her love of the countryside and enjoys transforming her drawings into 3D objects using wood and clay. The beauty of wild flowers, falling leaves, resting birds and autumn trees draw her to create a little world of nature into ceramics. From her playful plates to her little birds and trees, there is a sensibility as delicate as the materials. They symbolise Suet Yi's fine draughtsmanship and fertile imagination within a classic oriental tradition.

Website:http://www.suetyiceramics.co.uk

Email: suetyiyip@gmail.com
 
 
Karen Woods

My Name is Andrew - dark
 
This independent British design duo, Karen Woods, John Goadby, have combined their talents to create unique collections with an illustrative narrative for the home and as fashion accessoraries Each exciting collection tells a visual story as diverse in scope as 1940s pin ups, tattoos, Victorian engravings, and botanical sketches to poetry. The concept is researched for clarity and then hand drawn, printed and embroidered using Karen Wood’s signature textiles. The final designs are scanned and re digitally worked before being printed onto natural fabrics and fibers. The scarves have been accepted for One Year On 2013, showing collections such as Sailors Sweet heart and The Foundling Flowers. RugSlug Bear company brand, also hope to expand their work and product range to include birch ply trays and soft furnishings

Website:www.karenwoods.co.uk
http://www.rug-slug-bear.com/

Email: mail@karenwoods.co.uk


Aly Jackson

 
Photography
My work draws on an ongoing fascination with factors affecting us over time, particularly separation. I am drawn by the powerful emotions attached to fragmented memories and phantasies.
From original photographs I draw out specific aspects, disrupt landscapes and develop layer upon layer of disjointed images, creating new unrecognisable places which identify with the confusion of truth versus flawed memory or conscious denial.
The images are detailed, containing numerous elements and ideas. I am interested in the interaction between the viewer and the piece, the viewer becoming author of the work, enabling their own personal narrative to develop.
Phone: 07974 252567
Email: alyjackson@me.com
 
 



Joe stood in front of work - becoming part of the art!
 
 
"Every Contact Leaves a Trace"
My current work developed out of my ongoing series LAT/LONG of low light night photography of rural and urban landscapes.
When we usually look at a photograph we try to interpret and discover the intentions of the photographer by applying our own notions and preconceptions.
With my recent installation, I invite the viewer to step through the curtain and to relive this moment of excitement that leads me to press the shutter. By lifting the veil of the disregarded photographic process itself, I challenge the viewer to start a new dialogue.

Phone: 07786541009

Deborah Bird

Daisy Fragment
 

My work involves the use of ice and paper for the purpose of photographic intervention. During the festival my exhibited work would include pieces developed whilst working as artist in residence in the Grand Canyon National Park from April May 2012. I take inspiration from organic pattern and structure in the landscape and prepare intricate paper sculptures which I set into sheets of ice. These are then captured using photography through all of the stages of thaw and disintegration. Final pieces are exhibited as photographic giclees, alongside paper sculpture work, melting ice pieces and pen and ink studies.

Website:
http://www.deborahbirdart.com

Email: artybird08@yahoo.co.uk

The Northern Light Independent cinema


The Northern Light 


 



The Northern Light Cinema will bring back the glamour of the big screen to town and try to provide a cinema fit for Wirksworth - charming, quaint, quirky, friendly, sometimes challenging but always good fun.
It will provide film with ‘all the trimmings’ (curtains, trailers, adverts etc), a platform to explore a wider appreciation and experience of world, independent and local film, and live links to other arts performances, such at the NT (eventually), communities and cultures.
The auditorium will seat 52 in style, with 3 delux vintage sofas on the back row, 6 eclectic armchairs and 40 refurbished 1930s cinema seats. The bar will blend the best of British with a touch of Manhattan.
The idea for The Northern Light Cinema has been a while in the making. The brain child of Esther Patterson and husband Paul Carr, who have both lived and worked in the town for over 16 years, it has taken the success of Esther's other business, hand-blown glass lighting (Curiousa & Curiousa), and the sale of Tony Weston's former electrical showroom, to bring the dream closer to reality.
 
 
 
About Green Porno
 
Isabella Rossellini's critically acclaimed and provocative online series, GREEN PORNO covers both land and sea! The series features Rossellini as she acts out the reproductive habits of marine animals and insects, both scientifically accurate yet extremely entertaining.