Welcome To The Leek College Art Department Blog

we are inspired....

Monday 30 June 2014

'Astound' 2014: Setting up and Private View

Astound 2014


Now in its fifth year at the prestigious Nicholson Gallery the Leek School of Art (Buxton & Leek College) exhibits its end of year degree show - 'Astound' - running from May 24th - June 14th.
Right in the centre of Leek, this exciting exhibition was led by a collective of entrepreneurial artists currently studying on a Foundation Degree at Leek School of Art part of Buxton and Leek College.

Curated by final year students the exhibition and  showcased all the work by the talented and creative individuals participating on the programme. The diverse range of contemporary art and design on display shows the high level of professionalism, originality and imagination of the students across a broad range of disciplines including painting, ceramics, surface pattern, textiles, fine art and photography.


The set up:


The Private View: 22nd May 2014





The Principal opens the show



Peter & Gwen & Mr Thompson looking rather dapper in his velveteen jacket
Anne-Lise Fraser & Chris Thompson & Jon Braley & Rob Barks 'chewing the fat'!!

Jennie & Sally

Tash Davenport
Celia & Bev

Jo, Kirsten & Susan



Linda & Jane
Jane Brocklehurst, Linda Rolland & Suzanne Mellor

Gwen - not all her empties!!

5 of the talented bunch of the Foundation Degree 'Class of 2014': Hayley Grocott-Smith, Linda Rolland, Jane Brocklehurst, Faye Salt, Rosie Lovenbury
Article below taken from the Sentinel:
SOME of North Staffordshire's most iconic images have been transformed into works of art by up-and-coming designers and artists.
The famous Winking Man stone at Ramshaw Rocks, near Leek, Hanley's Bethesda Chapel and potbanks in the Potteries are among the backdrops used for the pieces.
Now they form part of an exhibition produced by foundation degree students at Buxton and Leek College's school of art.
The show, called Astound 2014, features the work of 16 talented artists, who hope to use it as a springboard to launch creative careers.
Fiona Jane Brocklehurst, from Biddulph, has just completed the contemporary art practice course at the Leek campus.
The 46-year-old has produced striking glass pieces which illustrate key buildings in Leek and Buxton.
They include the Nicholson Museum and Art Gallery where the Astound show is being staged.
Fiona said: "I took photographs of the buildings and then put them on to vinyl to transfer them on to the glass.
"Until I came to college, I'd never done anything like this before."
She fitted the foundation degree around her work helping adults who have learning difficulties.
The art and design exhibition has proved to be a show within a show for student Hayley Grocott-Smith.
She has created a series of silk paintings based on the six towns of Stoke-on-Trent.
One of her pieces, which depicts Tunstall's clock tower, has also inspired a children's art competition.
Pupils from Leek's Woodcroft First School, St Mary's Catholic Academy and All Saints First School were each given a square of her design to recreate.
She said: "My mum comes from Hanley and my nan used to be a Sunday school teacher at Bethesda Chapel. They've inspired the work."
Hayley, who used to work for Moorcroft Pottery and is now a teaching assistant, plans to go on to Staffordshire University next year to 'top up' her qualification to an honours degree.
Fellow student Fay Salt also comes from a pottery background as she works as a junior designer at Wedgwood. The company paid for her to do the course on a day release basis.
The 24-year-old, from Leek, pictured below, is exhibiting some of her unique wallpaper at the Astound show.
She said: "In a design studio, you have a rigid brief. But on this course, I've been able to do whatever I want. I've shown the design process from start to finish."
Painter Linda Rolland has produced rugged pictures of Peak District scenes for her exhibits.
She has also created her first ever sculpture after being inspired by the Winking Man.
The 62-year-old, from Buxton, said: "The Winking Man is such a fantastic image that it should be a national treasure.
"I went there to see it eight times to look at it from different angles. I've cast my sculpture of it in aluminium."
College principal Len Tildsley has been impressed sheer variety of students' work.
He said: "This course is the pinnacle of everything we represent as a modern school of art. It brings together high-level skills and techniques with the business and entrepreneurial skills of the practising artists.
The exhibition has been entirely organised by the students.





Yorkshire Sculpture Park

 
First visit to this amazing place - why did I leave it so long to visit!!? I thought I would have long enough with 4 hours - was about the last car to leave and didn't see it all! ...means a trip back...what a shame!!
The only one of its kind, Yorkshire Sculpture Park is an international centre for modern and contemporary art, open-air displays by some of the world’s finest artists, and exhibitions throughout four stunning galleries. Difficult to chose a favourite but I loved the 'everything is connected piece'  by Peter Liversidge, have personal liking for text in art: http://www.ysp.co.uk/whats-on/open-air/peter-liversidge so enjoyed seeing this. Also liked the quotes at the Long Gallery and seeing the Henry Moore sculptures in the beautiful outdoor setting.
 

http://www.ysp.co.uk/

 
Polish artist Magdalena Abakanowicz returns to YSP with the UK premiere of her monumental sculpture, 'Ten Seated Figures'


 
Sophie Ryder:
Sophie Ryder's association with YSP began in 1986 during her residency, immediately after graduating from the RA Schools. In 2008 YSP held a major exhibition of her work at Longside Gallery and in the open air, after two important pieces were kindly offered on long term loan



 
Peter Liversidge’s work is driven by an exploration of creativity and the importance of ‘the idea’. Inspired by conceptual art, he creates artworks and performances, often humorous, in a diverserange of media.



Julian Opie:
Born in London in 1958, Julian Opie studied at Goldsmiths College and emerged as an influential figure in the 1980s. Towards the end of the decade Opie’s sculptures became larger, more austere and minimal, and were often based on the relationship between art and architecture.
 
 
Michael Zwingmann, born in Hanover in 1964, is concerned with making sculptures that interact with their environments.

Invasion consists of five cylindrical forms sited on a former football field, which from a distance resemble giant black hay bales. Closer inspection, however, reveals the solidity and potential menace of the material and the work demonstrates a collision between the man-made and natural worlds.


 
Tom Price
YSP presents a solo exhibition of sculpture, animation and work on paper by British artist Tom Price, including the open-air premiere of Network, the young artist's largest bronze to date.

The exhibition, in the Bothy Gallery and Lakeside, traces the evolution of Price's approach to the male figure. Price describes this as a dual enquiry into his own white British and black Jamaican heritage as well as the identity of the black male in sculpture and culture history.



 
Richard Long: Upper LakeLong developed his ideas around walking as art throughout the 1970s, making works in increasingly challenging and remote terrains and documenting the walks as text, maps and photographs.








 



 
Oxley Bank & Country ParkAndy Goldsworthy first worked at Yorkshire Sculpture Park in 1983. Since then, he has established a major international reputation, and is one of this country’s most prominent contemporary artists.







Winter Horbelt



 
David Nash:

 
left right
Site-specific works at YSP by internationally acclaimed artist David Nash include Seventy-one Steps, a commission on the walking route to Longside Gallery made in 2010, and two works made during the artist’s 1982 residency, Three Stones for Three Trees and Barnsley Lump.

A new commission Black Mound, which overlooks the Park’s historic lakes and references the natural cycle of wood, was created by Nash in December 2013. The work is made from coal and oak charred black, through carefully controlled burning
.


 
Henry Moore
significant group of sculptures by Henry Moore in the Yorkshire landscape, a region resonant with Moore's early memories and a seminal influence.



 
Ursula Von Rydingsvard
Inspired by everyday environments and objects, Ursula Von Rydingsvard has developed a personal artistic language using raw materials to create sculpture that reveals the mark of the maker.

 
Woodlands on the park filled with an amazing display of bluebells- gorgeous.

 
Antony Gormley, Flat Tree,1978, photo by Jonty Wilde, courtesy of YSP
Antony Gormley, Flat Tree, 1978 (photo by Jonty Wilde, courtesy of YSP)

interesting review of exhibition: 'Uncommon Ground' at Yorkshire Sculpture Park: ‘looking hard at real things’
http://gerryco23.wordpress.com/2014/06/04/uncommon-ground-at-yorkshire-sculpture-park-looking-hard-at-real-things/